2021

becoming arctic partners: Boyana Maynalovska, Robert Platt, Christian Hierhold, Filippo Gaetani instruments: synthesizer, violin Becoming Arctic is the name of a short film by Robert Platt. It’s doing the rounds at some film festivals in north america this year. The soundtrack was composed using a formalized score pipeline written in python. The instrumentation is violin and synthesizers, Boyana Maynalovska on the violin and me trying to keep up on the keys. [Read More]

2020

all of old. at Transparent Sound, Budapest with Longleash (a piano trio) All Of Old. Nothing else ever. Ever Tried. Ever Failed. No Matter. Try again. Fail Again. Fail better. - Samuel Beckett Mccartney all of old Mccartney all of old Mccartney all of old Mccartney all of old Mccartney all of old Mccartney all of old Mccartney all of old Mccartney all of old Mccartney all of old Mccartney all of old [Read More]

2018

59 People partners: Ensemble Playtypus, P.A. & C.B 59people page 001 59people page 002 59people page 003 59people page 004 59people page 005 59people page 006 59people page 007 59people page 008 Duo/II partners: [“Aarhus Unge Tonkunstnere”, “Anna Jalving”, “Sofie Thorsbro Dan”] Three short pieces written in response to music by Orlando Di Lasso. At the moment, I’m trying to create new music that is interesting to write, to play and to hear. [Read More]

2014

hum’s almanac partners: [“Ensemble Zeitfluss”] instruments: [“Flute”, “Bass Clarinet in b”, “Saxophone”, “Bassoon”, “Percussion”, “Piano”, “Violin”, “Viola”, “Cello”, “Contrabass”] The rhythmical structure for this composition was created using weather data collected by the Met Éireann weather station that is positioned at Belmullet, County Mayo in Ireland. At the time, I was very interested in observing naturally occuring processes and letting them structure the composition. Similar to the types of aleatoric processes used by composers like John Cage in the 20th century. [Read More]

2012

Blue pentagonal remnant of tile instruments: Organ, Kontrabass, Trombone partners: Aleksey Vylegzhanin, Matej Bunderla, Margarethe Maierhofer-Lischka, Sandor-Laszlo Krakoczk Composed for Stephanie Barry DaHe instruments: Harmonium, Electronics Piece for electronics, video by Trevor Furlong Fragments (glas) partners: Bronagh Linck-Ryan, Aleksey Vylegzhanin, Peter Venus instruments: Piano Kosmotopy partners: Klaus Lang, Anna Kropfelder, Yulan Yu, Hristina Takovska, Ja-Young Baek, Seongmin Ji This was a project that we started in 2012, one of the many projects that this group of people managed together during their time in Graz. [Read More]

2017

A way after remains or reflections In his poem Bogland, Seamus Heaney writes about the influence of the landscape on the pioneers. He compares the Prarie of the Western USA with the Moores in Ireland. A way after remains or reflections is certainly not a long walk into the sunset. The ground swallows an endless horizon. Every layer contains immaculate black. The horizon appears again nonchalant fleeting it cleaves the ground to the ground. [Read More]