2018

 Posted on November 1, 2018  |  2 minutes  |  293 words  |  Adam

59 People partners: Ensemble Playtypus, P.A. & C.B 59people page 001 59people page 002 59people page 003 59people page 004 59people page 005 59people page 006 59people page 007 59people page 008 Duo/II partners: [“Aarhus Unge Tonkunstnere”, “Anna Jalving”, “Sofie Thorsbro Dan”] Three short pieces written in response to music by Orlando Di Lasso. At the moment, I’m trying to create new music that is interesting to write, to play and to hear. [Read More]
Venezia  Organ  Modular Synthesizer 

2014

 Posted on March 12, 2014  |  2 minutes  |  387 words  |  Adam

hum’s almanac partners: [“Ensemble Zeitfluss”] instruments: [“Flute”, “Bass Clarinet in b”, “Saxophone”, “Bassoon”, “Percussion”, “Piano”, “Violin”, “Viola”, “Cello”, “Contrabass”] The rhythmical structure for this composition was created using weather data collected by the Met Éireann weather station that is positioned at Belmullet, County Mayo in Ireland. At the time, I was very interested in observing naturally occuring processes and letting them structure the composition. Similar to the types of aleatoric processes used by composers like John Cage in the 20th century. [Read More]
Weather Systems  yurt 

2012

 Posted on December 12, 2012  |  2 minutes  |  392 words  |  Adam

Blue pentagonal remnant of tile instruments: Organ, Kontrabass, Trombone partners: Aleksey Vylegzhanin, Matej Bunderla, Margarethe Maierhofer-Lischka, Sandor-Laszlo Krakoczk Composed for Stephanie Barry DaHe instruments: Harmonium, Electronics Piece for electronics, video by Trevor Furlong Fragments (glas) partners: Bronagh Linck-Ryan, Aleksey Vylegzhanin, Peter Venus instruments: Piano Kosmotopy partners: Klaus Lang, Anna Kropfelder, Yulan Yu, Hristina Takovska, Ja-Young Baek, Seongmin Ji This was a project that we started in 2012, one of the many projects that this group of people managed together during their time in Graz. [Read More]
Structuralism  Venice  Graz 

2010

 Posted on November 11, 2010  |  1 minutes  |  117 words  |  Adam

fretae phonis for a concert that took place in the Kevin Barry Room at the National Concert Hall, Dublin hosted by the Irish Composer’s Collective A simple geometric process transforms harmonic material, from section to section, in the acoustic space. It was writ without an idea of semantic structure. In other words, with a lot of curiosity and not that much technical know-how. Many of the works from around this time were playing around with these sort of “elastic” structures. [Read More]
Indeterminate Structures 

2017

 Posted on January 1, 0001  |  2 minutes  |  353 words  |  Adam

A way after remains or reflections In his poem Bogland, Seamus Heaney writes about the influence of the landscape on the pioneers. He compares the Prarie of the Western USA with the Moores in Ireland. A way after remains or reflections is certainly not a long walk into the sunset. The ground swallows an endless horizon. Every layer contains immaculate black. The horizon appears again nonchalant fleeting it cleaves the ground to the ground. [Read More]