2018

 Posted on November 1, 2018  |  2 minutes  |  293 words  |  Adam

59 People partners: Ensemble Playtypus, P.A. & C.B 59people page 001 59people page 002 59people page 003 59people page 004 59people page 005 59people page 006 59people page 007 59people page 008 Duo/II partners: [“Aarhus Unge Tonkunstnere”, “Anna Jalving”, “Sofie Thorsbro Dan”] Three short pieces written in response to music by Orlando Di Lasso. At the moment, I’m trying to create new music that is interesting to write, to play and to hear. [Read More]
Venezia  Organ  Modular Synthesizer 

2013

 Posted on July 1, 2013  |  2 minutes  |  223 words  |  Adam

Bird and Pine partners: Matej Bunderla, Ivan Trenev, RTVSlovenia, Hristina Takovska instruments: Saxophone, Accordion, Harmonium Through the Balkans in Summer with a bunch of musicians from all over Europe and Asia. This piece was written quickly for Hristina Takovska, who had the good sense to pester me enough until I agreed to climb into a car and drive for 2000km in the height of the summer. 17symmetries Bird and pine [Read More]
oek 

2012

 Posted on December 12, 2012  |  2 minutes  |  392 words  |  Adam

Blue pentagonal remnant of tile instruments: Organ, Kontrabass, Trombone partners: Aleksey Vylegzhanin, Matej Bunderla, Margarethe Maierhofer-Lischka, Sandor-Laszlo Krakoczk Composed for Stephanie Barry DaHe instruments: Harmonium, Electronics Piece for electronics, video by Trevor Furlong Fragments (glas) partners: Bronagh Linck-Ryan, Aleksey Vylegzhanin, Peter Venus instruments: Piano Kosmotopy partners: Klaus Lang, Anna Kropfelder, Yulan Yu, Hristina Takovska, Ja-Young Baek, Seongmin Ji This was a project that we started in 2012, one of the many projects that this group of people managed together during their time in Graz. [Read More]
Structuralism  Venice  Graz 

2017

 Posted on January 1, 0001  |  2 minutes  |  353 words  |  Adam

A way after remains or reflections In his poem Bogland, Seamus Heaney writes about the influence of the landscape on the pioneers. He compares the Prarie of the Western USA with the Moores in Ireland. A way after remains or reflections is certainly not a long walk into the sunset. The ground swallows an endless horizon. Every layer contains immaculate black. The horizon appears again nonchalant fleeting it cleaves the ground to the ground. [Read More]